This
mini-manual covers some of the most important aspects of viol care.
If a roblem/question is not addressed here, ask your teacher or a luthier
(maker/ repairer of stringed instruments).
PARTS OF THE VIOL
The parts of the viol and bow are known
by special terms. You'll need to know certain things about certain parts
to take good care of your viol.
Pegs. Experience
will teach you exactly what kind of pressure to apply to make
pegs stay where you want when you're tuning. If a peg keeps sticking
or slipping, take the string off, take the peg out, apply peg dope (available
in a lipstick-like case at most music stores) to the two shiny circles
where the peg contacts the pegbox, and then replace both peg and string.
Nut. Rubbing
a soft pencil in the grooves of the nut may help strings move more smoothly
when tuning. (Loosen strings slightly and take them out of their grooves
first!)
Strings.
The lower strings on a viol may last for years, but the upper ones,
especially the thin top string, tend to break and will often have to
be replaced. That's a fairly simple operation
that you should try to master. You should also change strings when they
become hairy or frayed. It's a good idea to keep extras on hand.
Frets. It's
fine to move frets to facilitate tuning. If a fret eventually loosens,
don't worry; that's common. The best "quick fix" is to slip a matchstick
or folded slip of paper between the fret and the neck. A broken fret
must be replaced. You can use an old string
of the correct weight or new gut or nylon to tie a new one. WARNING:
Replace your first few frets under supervision!
Bridge. The
normal stress of tightening strings and playing tends to tilt bridges
forward, which affects the viol's sound and tuning. Check the
bridge regularly to make sure it's straight; the back should be perpendicular
to the belly and the feet should fit the belly perfectly. You can straighten
a tilted bridge yourself. This is British gambist Alison Crum's advice:
Hold the viol firmly between the knees and, using both hands, grasp
the top of the bridge between thumb and fingers. Carefully shift the
bridge back to a vertical position. (Some people loosen the strings
slightly first.) WARNING:
Get someone else to do this if you're at all nervous about it. If the
bridge falls, it can damage the instrument and/or bring down the soundpost.
Soundpost.
The soundpost is a stick of wood wedged
precisely between back and belly inside the instrument. It is crucial
to the viol's resonance, and moving it changes the instrument's
sound for better or worse. An instrument with a fallen soundpost is
unplayable. Only a luthier should adjust or reset the soundpost.
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